∥123movies Tenet [2020] Full Movie On Voot

• USA
• Casts: Robert Pattinson
• 2020
• Reviews: Tenet is a movie starring John David Washington, Robert Pattinson, and Elizabeth Debicki. Armed with only one word -- Tenet -- and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of

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Tenet 5 2020 5d full movie on voot full. Tenet seems to take all the traits of the director and amplify them. The opening is even more frenetic than the excellent Joker heist scene at the beginning of The Dark Night, but it's less satisfying. The soundtrack out-Zimmers Zimmer with its racing, blaring, feverish relentlessness. Tenet's sound editing makes Bane from The Dark Knight Rises come across as an elocution teacher. I've skimmed literally hundreds of comments from viewers saying they couldn't catch the dialogue. Time-bending movies are notoriously difficult to weave together consistently, and this is no exception, though Nolan has worked really hard at it. So if you're going to make the plot super complex, why on earth would you make the dialogue unintelligible? That's just adding another completely unnecessary level of confusion for the audience.
Then we come to the characters. Although there is some attempt to flesh out relationships between the Protagonist and the three other leads (Neil, Sator and Kat) there is an increasingly sterile quality to Nolan's work. I really cared about Leonard in Memento, was deeply concerned for Robert Angier in the Prestige and was rooting for Bruce Wayne for at least the first two Batman movies. Dom Cobb in Inception was supposedly relatable (a guy grieving his wife) but Nolan had already started to move into subordinating his more two-dimensional characters to his labyrinthine plots. The same thing applied with Cooper in Interstellar, though I did find the bookcase scene pretty poignant. It seems the more complex the plot, the more simplistic the characters. The fact that Nolan didn't even give Tenet's main character a name says it all. I suppose it's meant to add mystery, but really it just betrays the lack of development. It's really hard to invest in a guy when you don't know his back story, don't know his name, don't see his connections, don't really understand his motivations, and don't appreciate how he can summon large crews of elite soldiers to work for him. The Protagonist (John David Washington, channelling his dad from a better time travel movie, Deja Vu) is humanised slightly by his relationships with Robert Pattinson's angular Neil (the drinks scene, the goodbye scene with the Algorithm macguffin) and Elizabeth Debicki's somewhat wan Kat (you can see he is genuinely bothered about her. You also feel the equally-matched tension between him and Sator (Kenneth Branagh, hamming it up as usual, with a passable but still distracting Slavic accent. But the caring for Kat just seems tacked on to the Protagonist, because there is no romantic chemistry between them and you don't really see why he should be so motivated about this one woman he barely knows and her child who has the merest whisper of screen-time.
Nolan writes his stuff without his brother Jonathan now, and the scripts are so plot-driven that there is little room for wit to sparkle or tension to build. There are some bus-ride exposition scenes that are just super-annoying as they might as well be to-the-camera lectures about sci-fi physics. The Protagonist makes the tired "You haven't even bought me dinner" joke when a flunky frisks him at Sator's dinner party. I kind of smirked just because I wanted to will the film into having a bit of fun or levity, but it takes itself way to seriously for that. You feel that John David Washington's energies have all been poured into running around forwards and then backwards, and he has been given so little space to exude panache or menace or pathos or humour or curiosity or fear.
Another issue with Nolan is the perma-vanilla nature of the jeopardy. I really felt this in Inception, where faceless baddies shoot harmless bullets at the goodies and it's all so bland. It doesn't need to be Braveheart or Reservoir Dogs in terms of visceral threat and carnage, but as with so many superhero or thriller movies in the last decade, you don't ever really feel that anyone you care about is in any significant danger. Action scenes always seem like they are conducted in cold, clinical fight laboratories and they lack the grit and mess of some of the more crunchy hand-to-hand combats in Craig's Bond or Damon's Bourne. On a larger scale, the entire world is supposed to be under the impending threat of an extinction-level event when Sir Ken's FitBit trips out, but we feel almost nothing of this, despite the shockingly on-the-nose countdown clocks everywhere. A good film shouldn't make us feel so meh about the end of the world.
I've focused more on character, dialogue and the feel of the movie, because so many others will be dissecting the mechanics of the plot, to infinity and back again. I just don't think it paid off. Yes, I think the time inversion trope kind of worked, but we shouldn't have to watch so many (admittedly brilliant) explanatory videos on YouTube to get a handle on them tricksy little backwards bullets (Heavy Spoilers makes a decent fist of stringing everything together in a digestible fashion.
Tenet was cleverer than many other time-twisting movies, but much less fun and I couldn't connect with the human cyphers shoehorned into Christopher's Grand Design. So I'll finish with a list of other time-based movies and why they are all superior to Tenet:
Deja Vu (starring the Protagonist Sr) is more exciting and interesting
Back to the Future is more fun and more engaging
Primer is more convincing and involving
Donnie Darko is more surreal and imaginative
Looper is more disturbing and edge-of-your-seat
Source Code is more agonising and fascinating
Bill & Ted's is funnier and goofier
Midnight in Paris is more musical and whimsical
Safety not Guaranteed is more indie and hokey
Groundhog Day is more entertaining and smile-inducing
Terminator 1 & 2 are more terrifying and adrenaline-pumping
Edge of Tomorrow is more Tom Cruisey and therefore more cheesy-gungho
So watch any of those first, and then if you have another 7.5 hours free, watch Tenet (2.5 hours + 5 hours for all the YouTube explanatory videos.

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